![]() The 4th minor 7 (b5) chord is probably my favorite and it’s definitely the most modern sounding since there is no 3rd. ![]() I use this voicing quite a bit when I’m comping in a rhythm section. In measure 3 I open up the chord up and turn it into a two handed piano chord. ![]() ( this is usually around the center of the piano). I play chords where they sit best on the piano and where they have the most richness. This is the same decision I use constantly whenever I’m voicing any jazz piano chord. I make the decision which inversion to use based off where it sits on the piano. If I’m playing this chord as a comp chord voicing just in my left hand I tend to either play the seventh of the chord as my bottom note or the 3rd of the chord as my lowest note. (like in measure 2 above) Register Leads To RichnessĤ. Then find the minor 7th of that triad (Tip: go down a whole step from the root to find the minor 7th)ģ.Working this chord out in basic root position in any key can be done with a simple 3 step process. (If you want to learn some dominant chords that will sound great after these minor 7 flat 5 chord you can check out this lesson on dominant jazz piano chords.) Build It and They Will ComeĢ. ![]() This chord could be used anywhere but it’s used most commonly as the ii chord inside a minor ii V i chord progression. (click to expand) 6 Tips To Help You Learn These Minor 7 (b5) Chords Where Should I Play This Chord?ġ. ![]()
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